Zvonimir NagyAssistant Professor of Music
Mary Pappert School of Music
Education:D.M., Northwestern University, 2009
M.M., Artist Diploma, Texas Christian University, 2005
B.M., Academy of Music, University of Zagreb, 1999
Dr. Zvonimir Nagy (pronounced /nadj;/) holds bachelor's, master's, and doctoral degrees in music from the Academy of Music-University of Zagreb, Texas Christian University, and Northwestern University respectively. He studied composition with Jay Alan Yim, Augusta Read Thomas, Tristan Murail, and Marko Ruždjak; music theory and cognition with Robert Gjerdingen; and computer music with Gary Kendall. Dr. Nagy previously provided instruction in composition at Northwestern University, and has taught music theory, composition, and improvisation at St. Xavier University in Chicago, Illinois. He has presented his music and scholarly work at numerous music conferences, symposia and colloquia.
Dr. Nagy's compositions are informed by cognitive neuroscience and the aesthetics of music. Dr. Nagy is the recipient of numerous composition awards such as the Seattle Symphony Composition Prize, the Iron Composer Award, the Swan Prize in Music Composition from the University of Minnesota, and the Croatian Music Institute Award. He has written for and received commissions from the Seattle Symphony, the musicians from the BBC Scottish Symphony Orchestra, pianists Geoffrey Burleson and David Kalhous, Boston Choral Ensemble, Alia Musica Ensemble, First Reading Project Ensemble, Trio Jónio, Cleveland Contemporary Chamber Players, Fused Muse Ensemble, and JACK Quartet, among others. A selection of his instrumental music is published by Musik Fabrik Editions (France), and selected vocal and organ works are available at Paraclete Press and World Library Publications. A CD recording of his works for solo piano is released on MSR Classics "Discover Series."
Dr. Nagy's research focus is on various contexts and critical perspectives on musical creativity. In his exploration of creativity in musical composition he investigates the psychological and physiological attributes of creative musical arts whose associations become the foundation of embodiment in music. In his forthcoming book on the embodiment of musical creativity (Ashgate, 2015) he explores how creative awareness is shaped by composition, performance, and perception of music. In addition, he is also interested in the perceptual organization of sound and interactivity (theoretical modeling of musical structure), and the ways in which music engages with imagery, emotion, and consciousness. He is the recipient of Duquesne University Presidential Award for scholarship in music composition and performance studies. Also an organist, pianist, and chamber musician, his interests are in contemporary music, improvisation, and interactive media. He serves as organist at St. Joseph Cathedral in Wheeling, WV.
Nagy resides in Pittsburgh with his wife, Haley and son Luka
Musicianship III Written and Aural/Oral
Musicianship IV Written and Aural/Oral
Form and Analysis
Introduction to Composition
Music Since 1950
Perspectives on Musical Creativity
Alia Musica Ensemble Commission - Angel Antiphons (2013) for large ensemble
Duquesne University Presidential Scholarship Award (2013)
Seattle Symphony Composition Prize - Suizen (2012) for shakuhachi flute and orchestra
BBC/Aberdeen Music Composition Prize Finalist - Ayres (2011) for trumpet and string quartet
Iron Composer Competition Winner - Vox Reginæ Organalis (2011) for organ and music box
American Modern Ensemble Composition Competition Finalist - Intimate Stream[s] (2010) for string quartet
St. Xavier University Composition Grant (2010)
Swan Prize in Music Composition - Cantus Jubilus (2011) for unaccompanied choir and soloists
César Franck International Organ Competition, 2nd prize (2010)
Karlins Prize in Music Composition - Vestiges (2009) for piano solo
David Kalhous Piano Commission - ... of the lake I (2007)
Trinity Church Commission. Wilmette, IL - Abide in Love (2007) for choir and ensemble
Frédéric Chopin International Piano Competition, Corpus Christi, TX. 1st prize (2006)
Durington Award in Music Composition - And so she said... (2005) for piano solo
Texas Music Teachers National Association Composition Competition, 3rd prize - Somewhere Else (2005) for string quartet
Hall National Organ Competition Finalist (2005)
Darko Lukic Young Artist Award, Zagreb, Croatia (2003)
Juraj Haulik Music Award. Croatian Music Institute, Zagreb, Croatia (2002)
Martin Memorial International Piano Competition, 3rd prize (1999)
Quartet Slavonsky Commission - Discussions (1999) for string quartet
Croatian National Piano Competition, 2nd prize (1999)
Commission by violinist Vlatka Peljhan and pianist Srebrenka Poljak - Valse Burlesque (1998) for violin and piano
Choral Composition Award. The Diocese of Srijem, Đakovo, Croatia (1993)
Vestiges Works for Solo Piano
MSR Classics CD "Discover Series" MS1515
LIST OF WORKS
Angel and the Child (in progress) opera
Embodiment of Musical Creativity: The Cognitive and Performative Causality of Musical Composition (Ashgate Publishing Limited, forthcoming 2015-16)
The Apperception of Musical Creativity: Performance as Ritual, Composition as Self-Realization (Creativity Research Journal, 2014)
Spatiality of Musical form: The Spiral as a Metaphor for Structural Organization (Proceedings of the International Meeting for Chamber Music, 2013)
Derivation of Pitch Constructs from the Principles of Tone Perception (Proceedings of the International Conference on Music Perception and Cognition/ Triennial Conference of the European Society for the Cognitive Sciences in Music, 2012)
The Perceptual Dimensions of Timbre and Timbre Blending (2008)
Finding Sonance (2007)
Harmonic Space as Defined by an Autopoietic System (2006)
Musical Pattern and Meaning in Chopin's Ballade no. 1 (2006)
Comparison of Methods of Notation Intended to Convey the Impression of Rhythmic Complexity (2005)
Sensory Sonance as an Element of Musical Harmony (2005)
The Structure and Style in Murail's L'Esprit des Dunes (2003)
De Harmonia Animæ: Harmony Within Sound: A Spiritual Quest (2009, D.M. Dissertation, Northwestern University)
"Extemporaneous Sublime: Indeterminacy and Transience of the Improvised Moment." American Guild of Organists National Convention. Boston, 2014.
"Ligeti's White on White: Embodied Cognition of the Compositional Process." Conference Symposium and Festival: Celebrating the Musical Legacy of György Ligeti. Tallahassee, 2013.
"From Soul - within Sound - to Self." 2nd International Conference of Spirituality and Music Education: Spirituality, Music and Education in a Cultural Context. Vilnius, Lithuania, 2013.
"Performance as Ritual; Creativity as Prayer." Conference Symposium on Charles Tournemire - The Aesthetics and Pedagogy of Charles Tournemire: Chant and Improvisation in the Liturgy. Pittsburgh, 2012.
"Derivation of Pitch Constructs from the Principles of Tone Perception." 12th International Conference on Music Perception and Cognition/8th Triennial Conference of the European Society for the Cognitive Sciences in Music. Thessaloniki, Greece. July 2012.